Exploring the awesome updates to the Movie Loader patch in the new Quartz Composer for Snow Leopard
Make realtime AV Cutups the easy way – with Lucifer and Ableton Live
A Beginner’s Tutorial on Lighting, Cubes and Audio Input to make an Interactive Toy in Quartz Composer.
Everything you need to get started making some interactive video on a Windows PC
From the 2007 Maker Faire – a project where Video Art meets Gaming and DJing
Show Me Yours and I’ll Show You Mine – live Internet Video Battle at the 2007 Maker Faire.
Introduction to the Lemur Multi-Touch Interface device. How to connect it up, some things you can do with it.
You can’t count on venues to have a proper place to put your projector. Build one of these and you can go anywhere.
Preview of an ambient abstract piece about losing yourself in the holiday season.
As part of the AV Challenge, I decided to document my process. I’m new to this AV Performance thing, and it’s great to have people who are figuring it out along with me. I have no idea how this will turn out – I’m going to take it one step at a time and see where I wind up.
So for this first part, I had to find something related to ‘water’ to videotape. Thankfully, there’s a fountain right near my office (the one at the Grove for any Los Angeles readers). I always carry my little camera around in my man-bag, so on the way to work one morning I stopped by the fountain and videotaped it like all the other tourists.
After work, I transferred the vids over to my laptop, brought them into Final Cut and started cutting them up to short clips – I specifically looked for ones that had rather defined movement, which would help in matching them up with audio.
Next, I decided to spice up my clips a little bit. The colors on my lil camera are alright, but nothing to write home about. I fired up some color-correction tools and made the water a bit more aqua to help it pop on-screen. Then I used a combination of the contrast tool and the trusty ol’ Kaleidescope to abstract the clips a bit.
Since I took the video in a public place, I knew on-location audio recording was out. So once I had a nice selection of clip possibilities, I opened up Ableton Live.
In Ableton, I fooled around with a free subtractive synth I’d found called Automat. Once I had a sound I liked, I made up a few patterns, and then started flipping back and forth between Final Cut and Ableton live to see what might match up. When I found a pair that looked close, I would fine-tune it a bit in Ableton, and then export it to Final Cut. Rinse and Repeat.
After about an hour, I had sounds for all my Final Cut clips. I lined them up, trimmed the clips to match the sound lengths (making sure that the first frame of video started on the sound) and set up a Batch Export.
My specs:
640×480
Motion-JPEG B at about 85% Quality
Linear PCM Audio
Once done, I uploaded them to archive.org and compiled all the clips into the AV Challenge #2 Clip Packs.
In Part Two (coming soon) – I’ll load the clips up and start making beats and melodies!
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